14h00 • Sens interdit • Shcherbakova Ekaterina • Performance • FR / Paris
Sens interdit est une performance de durée dans laquelle la performeuse marche à reculons à travers les espaces urbains, en partant de la place centrale de
Strasbourg et en suivant les rues de la ville. Elle avance lentement, parfois vacillante, sans jamais se retourner, transformant les parcours familiers en terrain étrange. Le concept de la fugologie se manifeste ici comme la vie et le mouvement poursuivant leur cours indépendamment de l’intention humaine, remettant en question les notions de progrès et de direction.
Sens interdit is a durational performance in which the performer walks backward through urban spaces, starting from the central square of
Strasbourg and following the city’s streets. She moves slowly, sometimes unsteadily, without ever turning around, transforming familiar routes into unfamiliar terrain. The concept of fugology manifests here as life and movement continuing their course independently of human intention, calling into question notions of progress and direction.
Strasbourg et en suivant les rues de la ville. Elle avance lentement, parfois vacillante, sans jamais se retourner, transformant les parcours familiers en terrain étrange. Le concept de la fugologie se manifeste ici comme la vie et le mouvement poursuivant leur cours indépendamment de l’intention humaine, remettant en question les notions de progrès et de direction.
Sens interdit is a durational performance in which the performer walks backward through urban spaces, starting from the central square of
Strasbourg and following the city’s streets. She moves slowly, sometimes unsteadily, without ever turning around, transforming familiar routes into unfamiliar terrain. The concept of fugology manifests here as life and movement continuing their course independently of human intention, calling into question notions of progress and direction.
Sa pratique est ancré dans la performance et les processus. Elle plonge dans les profondeurs de l'autofiction et développe son œuvre autour de thèmes tels que l'expérience féminine, la maternité, le sacré et le politique.
Ekaterina Shcherbakova lives and works in Paris. She is a graduate of the Ecole du Magasin (Grenoble, France), the Art Department at Paris 8 University, and the Marina Abramović Institute. She has collaborated with institutions such as Parc Saint-Léger, CAP Saint-Fons, the Estonian Museum of Contemporary Art, the Venice Biennale, and others.
Her practice is rooted in performance and process. She delves into the depths of autofiction and develops her work around themes such as the female experience, motherhood, the sacred, and the political.
16h15 • D'Amour et d'eau fraîche • Sanchez Elisa • lecture, Performance • FR / Strasbourg
J’ai appris que dans le cycle de l’eau, tout revient à l’océan, et donc aux sirènes. C’est la théorie du ruissellement : si les plus riches créent de la richesse, ils investissent, consomment, créent des emplois. Cette richesse ruissellerait ensuite vers les sirènes, à travers plus d’opportunités, de services, d’innovation et de pouvoir d’achat. Mais nous autres sirènes, ça fait bien longtemps qu’on ne croit pas au ruissellement.
I’ve learned that in the water cycle, everything returns to the ocean—and thus to the mermaids. That’s the trickle-down theory: if the wealthiest create wealth, they invest, consume, and create jobs. That wealth would then trickle down to the mermaids, through more opportunities, services, innovation, and purchasing power. But we mermaids haven’t believed in trickle-down for a long time.
I’ve learned that in the water cycle, everything returns to the ocean—and thus to the mermaids. That’s the trickle-down theory: if the wealthiest create wealth, they invest, consume, and create jobs. That wealth would then trickle down to the mermaids, through more opportunities, services, innovation, and purchasing power. But we mermaids haven’t believed in trickle-down for a long time.
Elisa Sanchez is an artist-astronaut living and working in Strasbourg, where she has been a resident at Bastion XIV since 2024. A 2021 graduate of HEAR, she has presented her work in Alsace, Switzerland, as well as in Paris, Luxembourg, Shanghai, and Milan. Through writing, video, and performance—whether alone or with friends—she explores a practice attentive to production conditions, the economy of means, and a gentle yet committed presence. Her work features melancholic cowboys, unionist mermaids, and love-struck aliens who question work and money and invent sparkling tools to transform the world.
16h45 • Moi aussi Un jour, mon Prince viendra à Strasbourg et Karlsruhe • POUZOL Dominique • Performance • FR / Paris
Moi aussi, un jour, mon Prince viendra. J’ai envie de me marier : c’est l’épilogue de nombre de contes de fée. Môme, je m’imaginais bien avec une traîne la plus longue possible ; Rendant nécessaire l’assistance d’enfants d’honneur pour m’aider à m’en dépêtrer… Aujourd’hui, quels sont les obstacles : les lois, la famille, le temps qui passe ?
17h15 • RADIO WHALES • Léa Kieffer • Danse, performance • FR / Fellering
Bienvenue dans un univers aquatique déjanté aux abords de l’Ill !
Embarquez pour une plongée en eaux troubles au cœur d’un univers aquatique poétique et humoristique où règnent les baleines d’eau douce. Depuis la nuit des temps, elles prospèrent sous les radars, au fond des fleuves et des rivières. Lorsque vous les croiserez sur les rives de l’Ill, suivez le cortège ! laissez-vous flotter sur leurs fréquences, sentez-vous les nageoires pousser et vibrer au son de leurs chants.
RADIO WHALES fabrique des fictions spéculatives pour répondre à nos besoins de connexions inter-espèce et adresser les urgences écologiques avec humour.
RADIO WHALES débute par une déambulation performative accompagnée des participant.es du stage Sci Fi Anatomy - Devenir Whale (mode d’emploi). S'ensuit un concert dansé avec la musique de Jamika Ajalon remixée par Thomas Proksch, qui s’ouvre en bal des baleines.
Welcome to a whimsical underwater world along the banks of the Ill!
Embark on a journey into murky waters at the heart of a poetic and humorous underwater realm ruled by freshwater whales. Since time immemorial, they have thrived unnoticed, deep within the rivers and streams. When you encounter them on the banks of the Ill, follow the procession! Let yourself float on their frequencies, feel their fins push and vibrate to the sound of their songs.
RADIO WHALES creates speculative fiction to address our need for cross-species connections and tackle ecological emergencies with humor.
RADIO WHALES begins with a performative stroll accompanied by participants from the Sci Fi Anatomy workshop—Becoming a Whale (Instructions). This is followed by a dance concert featuring music by Jamika Ajalon remixed by Thomas Proksch, which opens with a whale ball.
Embarquez pour une plongée en eaux troubles au cœur d’un univers aquatique poétique et humoristique où règnent les baleines d’eau douce. Depuis la nuit des temps, elles prospèrent sous les radars, au fond des fleuves et des rivières. Lorsque vous les croiserez sur les rives de l’Ill, suivez le cortège ! laissez-vous flotter sur leurs fréquences, sentez-vous les nageoires pousser et vibrer au son de leurs chants.
RADIO WHALES fabrique des fictions spéculatives pour répondre à nos besoins de connexions inter-espèce et adresser les urgences écologiques avec humour.
RADIO WHALES débute par une déambulation performative accompagnée des participant.es du stage Sci Fi Anatomy - Devenir Whale (mode d’emploi). S'ensuit un concert dansé avec la musique de Jamika Ajalon remixée par Thomas Proksch, qui s’ouvre en bal des baleines.
Welcome to a whimsical underwater world along the banks of the Ill!
Embark on a journey into murky waters at the heart of a poetic and humorous underwater realm ruled by freshwater whales. Since time immemorial, they have thrived unnoticed, deep within the rivers and streams. When you encounter them on the banks of the Ill, follow the procession! Let yourself float on their frequencies, feel their fins push and vibrate to the sound of their songs.
RADIO WHALES creates speculative fiction to address our need for cross-species connections and tackle ecological emergencies with humor.
RADIO WHALES begins with a performative stroll accompanied by participants from the Sci Fi Anatomy workshop—Becoming a Whale (Instructions). This is followed by a dance concert featuring music by Jamika Ajalon remixed by Thomas Proksch, which opens with a whale ball.
Léa Kieffer is a French performer, choreographer, and costume and clothing designer based in Berlin. Her work explores processes of transformation as well as the dialogue between imagination and physicality through dance, bodywork, and craftsmanship, in hybrid and transdisciplinary formats. Her dance is influenced by a background in sports and craftsmanship, as well as by training in postmodern dance focused on improvisation, particularly contact improvisation and somatic practices. Drawing on this diverse body of knowledge, she has developed a practice that includes performance for an audience, performed improvisation, the creation of her own pieces, teaching and research through somatic practices, as well as the creation of clothing and costumes for the stage. All of her practices are rooted in the development of new narratives of the body and movement, drawing particular inspiration from science fiction, action films, and B-movies. Her current research, « Sci fi anatomy, » is a hybrid performance-workshop that creates a dialogue between the materiality of the body and the ocean of our thoughts. Since 2012, she has been creating, alongside her creative partner Rocio Marano under the name Los(t) Ninjas, multimedia performances such as « Matter of Blood » and « Blind Date (Literally), » as well as « Los(t) Ninjas Practice » workshops, all while sharing a life adventure.
Site
• Interactive picture Show • Lösel Eckbert • Performance, duration • DE / Karlsruhe
Plusieurs catalogues contenant des descriptions des tableaux à exposer, mais sans aucune photo, uniquement du texte. Un canapé pour s'asseoir et regarder, deux personnes chargées d'accrocher les tableaux, un service de restauration.
Several catalogues with descriptions of the paintings to show, but without any photos, only text. Sofa to sit and watch, two persons hanging the paintings, Catering.
Several catalogues with descriptions of the paintings to show, but without any photos, only text. Sofa to sit and watch, two persons hanging the paintings, Catering.
Born in 1963, Lösel Eckbert studied Graphical Design from 1982 to 1990 with Prof. Albrecht Ade at the Staatliche Akademie der Künste in Stuttgart. From 1990, he dedicated himself exclusively to painting with natural colours through Das Gute Bild, which he pursued until 1996 in Stuttgart. He then turned to the comic project Spackn between 1996 and 2003, working between Stuttgart and Berlin. During that same period, from 1998 to 2000, he was part of the artist group T.R.O. in Berlin-Oberschöneweide. From 2003 to 2012, he practised plein air landscape painting with his Naturfarbenbilder between Freising and Karlsruhe. Since 2012, he has continued his work in Karlsruhe, painting exclusively with natural colours.
